emoemoji : bear is a visual performance that operates by invoking surprise and soulshame, a vulnerable emotional state within us connected to our appetites and desires. The GIF poems combine flickering images and text, in most cases appropriated from third party sources. By reading the poem superimposed over the GIF image, the viewer is transformed into the performer.
The performer must decipher the text by moving the printed reticulated image back and forth as she reads.
The movement of the images heightens the sense of surprise in the performer as the full ramifications of the text reveal themselves through the repeated movement of the images. The surprise and discovery of soulshame in the performer has a transitive effect upon the audience.
By decontextulizing popular and hyper-realistic images from the web and refocusing their meaning through superimposed text, emoemoji : bear seeks to create a state somewhere between Maryln Minter and "abuse of power comes as no surprise."
"Art tends to give shape and weight to the most invisible processes. When entire sections of our existence spiral into abstraction as a result of economic globalization, when the basic functions of our daily lives are slowly transformed into products of consumptions … it seems highly logical that artists might seek to rematerialize these functions and processes, to give shape to what is disappearing before our eyes."
The images in this series are attempts to rematerialize that which becomes ever more elusive even as it envelops us completely: the communication networks that enable us to talk, to order something online and have it arrive on our doorstep, to be telepresent. If it is jarring to hear that data centers require huge amounts of water and energy to keep from overheating (for instance, Facebook recently placed a data center in the Arctic Circle), it is because communications technologies so intensely reflect our fantasy of disembodiment. But jpegs and iMessages are no less material than we are. And like the power grid, we may not realize this until the servers, wires, towers, generators, cables, switches, and screens fail us as materials. Until then, these small collections are meant to render palpable the otherwise diffuse components of our day-to-day networked existence.